FLOAT (2021)
_{ROLE: PRODUCER
WRITTEN AND DIRECTED BY: AUNDRE LARROW
DP: THOM MCKENNA
EDITOR: TYRONE RHABB
LIGHTING: JUDAH GRAYSON
SOUND: COREY POINDEXTER
PA: BREANNA JOHNSON}

DERRICK ADAMS: STYLE VARIATIONS; SALON 94  (2021)
_{ROLE: DIRECTOR, PRODUCER
EDITOR: CLUB LOCAL
CAMERA: MOHAMED SADEK, NAOMI SAITO, ANDREW VALLARIO
1ST AC: NEILSON TAM
2ND AC: NICHOLAS BEAUDET
SOUND MIXER: JOSE GONZALEZ
ORIGINAL SCORE: SLY5THAVE}

ARCA PERFORMS “MUTANT;FAITH” LIVE; THE SHED (2019)
_{ROLE: DIRECTOR, PRODUCER
CAMERA: ANDREW VALLARIO, BLAINE WESTROPP
POST-PRODUCTION: OFFSITE PRODUCTIONS}






CHOREOGRAPHER WILLIAM FORSYTHE; THE SHED (2019)
_{ROLE: DIRECTOR, PRODUCER
CAMERA: ANDREW VALLARIO
POST-PRODUCTION: OFFSITE PRODUCTIONS}






TREE MOUNTAIN IN YLOJARVI, FINLAND, BY AGNES DENES; THE SHED (2019)
_{ROLE: PRODUCER
DIRECTOR: LAILA PEDRO
CAMERA: KOPTERCAM, JULIUS KOIVISTONIEN
POST-PRODUCTION: OFFSITE PRODUCTIONS}




JOYCE POMEROY SCHWARTZ ON AGNES DENES’S WHEATFIELD; THE SHED (2019)
_{ROLE: CAMERA, EDITOR}








WHO IS AGNES DENES?, THE SHED (2019)
_{ROLE: PRODUCER
POST-PRODUCTION: OFFSITE PRODUCTIONS}






CLAUDIA RANKINE; THE SHED (2020)
_{ROLE: PRODUCER
DIRECTOR: ALEX DELANY
CAMERA: ANDREW VALLARIO
POST-PRODUCTION: OFFSITE PRODUCTIONS}





JONAS MEKAS; THE SHED (2019)
_{ROLE: PRODUCER
CAMERA: ANDREW VALLARIO
POST-PRODUCTION: OFFSITE PRODUCTIONS}

NIKE (2021)
<sub>ROLE: PRODUCER
DIRECTOR: MOLLIE MILLS
EXECUTIVE PRODUCER: GEORGIA ROSE
POST-PRODUCTION: RADICAL MEDIA LONDON

SEE VIMEO FOR FULL CREDITS</sub>




24-VIDEO SERIES: “I AM”, INTRODUCING THE SHED’S 2021 OPEN CALL ARTISTS
_{ROLE: DIRECTOR, PRODUCER, CAMERA OPERATOR
FEATURING MEDIA CONTRIBUTED BY THE ARTISTS.
POST-PRODUCTION: OFFSITE PRODUCTIONS}








JENNIFER PACKER: THE EYE IS NOT SATISFIED WITH SEEING; SERPENTINE GALLERIES (2020)
_{ROLE: DIRECTOR, PRODUCER
EDITOR: SOPHIA LOU
CAMERA: PAUL TUCKER, KELLY MARSHALL, DAN DENNISON
SOUND + ORIGINAL SCORE: JOSE GONZALEZ
SOUND MIX: CHRISTIAN STROPKO}




THE LOST EXPLORER MEZCAL (2020)
_{ROLE: POST-PRODUCER, THE LOST EXPLORER MEZCAL
POST-PRODUCTION: FORMIDABLE
ORIGINAL SCORE: JOEL SHEARER}






THE D.R.E.A.M. RING FLEXN DANCERS PREPARE FOR MAZE; THE SHED (2019)
_{ROLE: PRODUCER
DIRECTOR: PIERCE JACKSON
CAMERA: SESSE LIND, RAND ROSENBERG, ALEX KOROLKOVAS
POST-PRODUCTION: PIERCE JACKSON, TEAM COLLECTIVE}





LYNN HERSHMAN LEESON; THE SHED (2019)
_{ROLE: PRODUCER
DIRECTOR: ALEX DELANY
CAMERA: MATTHEW ROME
POST-PRODUCTION: OFFSITE PRODUCTIONS}

KANYE WEST;  SURFACE MAGAZINE (2016)
_{ROLE: PRE-PRODUCTION
VIDEO: JEFF VESPA}

SITE VISIT WITH BJARKE INGELS; SURFACE MAGAZINE (2016)
_{ROLE: PRODUCER
VIDEO: SOPHIA LOU}

DANH VO; CASA DRAGONES (2018)
_{ROLE: DIRECTOR, PRODUCER
POST-PRODUCTION: KAT YI}

A feature story on the final phase of West 8’s public space design for New York’s Governors Island, and a look at Leslie Koch’s impact on bringing the once-desolate ice cream cone–shaped land mass back to life.

A profile on the technologically (and aesthetically) saavy duo Kram/Weisshaar.

Max Lamb’s first-ever museum exhibition.

The town-reviving Asbury Park Hotel designed by Anda Andrei.

Studio visits with Garrett Leight, Kara Mann, and Joris Laarman.

Exhibition review of Egg Collective’s “Designing Women” show.

Talked about what music smells like with NYC-based creative studio YummyColours.

Review of architectureal photographer Tom Blachford’s new book on how he captured Palm Springs by moonlight.

A collection of best-ever vanities. 

Caius Pawson’s insider guide to London.

A profile on Michelin-starred Danish chef Mads Refslund and how he’s fighting food waste—one palate at a time.

The experience at the new 1 Hotel Brooklyn Bridge.

Co-produced a weed branding project for Surface’s 2016 Design Issue.

Market stories on the year’s best seating, lighting, tables + storage pieces, bath + tile, kitchens, and more for Surface magazine.

A photo-text documentary of my 1,000-mile solo bike tour in 2014.

A walking tour of the East Village, in collaboration with Urban Walks.

A carte-blanche essay assignment, where I ruminate on an unexpectedly enjoyable time at the Social Security Office.